{"title":"Quiet Volumes","description":"\u003cp\u003eTenderbooks collaborates with \u003ca href=\"https:\/\/relaydesign.info\/\"\u003eRelay Design Projects\u003c\/a\u003e on \u003cem\u003eQuiet Volumes\u003c\/em\u003e, a new design and lighting installation for Shoreditch Design Week. Here our book selection focuses on philosophies of design, material culture and quietude. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eVisit the installation during London Design Festival 2026. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eQuiet Volumes \u003cbr\u003e\u003c\/em\u003e15 - 20 September, 2026 \u003cbr\u003eRelay Design Agents \u003cbr\u003e18 Links Yard, Spelman Street\u003cbr\u003eLondon E1 5LX\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003eMore info \u003ca href=\"https:\/\/relaydesign.info\/news\/exhibition-future-focus-15-21-september-gsp8w\"\u003ehere\u003c\/a\u003e. \u003c\/p\u003e","products":[{"product_id":"designerly-ways-of-knowing-danah-abdulla","title":"Designerly ways of knowing - Danah Abdulla","description":"\u003cp\u003eA guidebook slash notebook of things designers should think about in order for them to know.\u003c\/p\u003e\n\u003cp\u003eDesign thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think?\u003c\/p\u003e\n\u003cp\u003eLed by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list “Two Hundred and Fifty Things an Architect Should Know” inspired this updated version targeted at designers. 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Chris Kontos’s photography explores two landscapes marked by marble and its uses: the island of Tinos, with its centuries-old tradition of marble mining and craft, and Athens, which has an ancient and enduring connection to marble evident in its ubiquitous presence throughout the city.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRachel Cusk is the author of the Outline trilogy, the memoirs A Life’s Work and Aftermath, and several other works of fiction and non-fiction. She has won the Whitbread first novel prize and been shortlisted for the Booker Prize, the Women’s Prize, the Folio Prize and the Goldsmith’s Prize. 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Below, writer David Chandler reflects on Shafran's \u003cem\u003eWorkbooks\u003c\/em\u003e:\u003c\/p\u003e\n\u003cp\u003eBooks have been the principal means through which Nigel Shafran’s photographic work has become known. He understands the gift of their materiality and he has invested heavily in how his books look and in how they are made. But Shafran’s investment in book making is also integral to the way he builds his ideas and projects. It is ingrained in a process that sees his photographs, soon after they are made, printed, edited and stuck into the pages of bound volumes that are part workbook, part diary, part aide-memoire.\u003c\/p\u003e\n\u003cp\u003eThese working documents are informal books, but, partly in preparation for decisions that will later define the actual publications, they are carefully assembled and richly embellished. 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