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Bricks from the Kiln Issue 4

£18.00


GREENING

Helen Marten

(front / back flaps)

JOY & HAPPINESS, FIDELITY
& INTIMACY IN TRANSLATION

Sophie Collins
(pp.4–13)
PLANETARY TRANSLATION

Don Mee Choi
(pp.15–19)

TRANSLATION AND A LIPOGRAM:
OR, ON FORMS OF AGAIN-WRITING
AND NO- (OR NOT THAT-) WRITING

Kate Briggs
(pp.23–33)

UNHOMING (1 of 4):
FOLLOWING HÖLDERLIN’S ‘HEIMAT’

Phil Baber
(pp.35–47)

SNOW WHITE AND THE WHITE
OF THE HUMAN EYEBALLS

Joyce Dixon
(pp.51–62)

ALTAMIRALTAMIRALTAMIRA

Florian Roithmayr
(pp.65–116)

LEVEL UP, LEVEL DOWN

Jen Calleja
(pp.119–124)

TRANS.MISSION [A.DIALOGUE]:
A JAVASCRIPT FOR THREE VOICES

J.R. Carpenter
(pp.127–134)

THE MECHANISATION OF ART

Edgar Wind
(glosses / annotations / insertions by
 Natalie Ferris & Bryony Quinn)
(pp.137–144)

UNHOMING (2 of 4)

Phil Baber
(p.147)

COMMISSION FOR A NOIR MOVIE
 B IN THE BAY OF BISCAY
Rebecca Collins
(pp.151–157)

UNHOMING (3 of 4)

Phil Baber
(pp.150–162)

EVERY CONTACT LEAVES A TRACE;
TRANSCRIBING OSTEON

Naomi Pearce
(pp.165–170)

HOW DOES A WORK END?

Karen Di Franco
(pp.173–193)

METONYMY Op.1 & Op.2

James Bulley
(pp.197–201)

AFRIKAN ALPHABETS EXTENDED

Saki Mafundikwa
(pp.204–207)

SUSAN HILLER: 1983
Natalie Ferris

(pp.209–217)

EVERY TELLING HAS A TALING /
EVERY STORY HAS AN ENDING
Matthew Stuart
(pp.220–233)

GRAPHIC PROPRIOCEPTION

James Langdon
(pp.235–254)

UNHOMING (4 of 4)

Phil Baber
(pp.257–263)

TUNNELLING AND AGGREGATING 
FOR DESIGN RESEARCH

Bryony Quinn (text) &
Peter Nencini (images)
(pp.265–272)

LET IT PERCOLATE:
A MANIFESTO FOR READING

Sophie Seita
(pp.275–280)

2020
Softcover, 288 pp
224 x 170 mm 


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