{"title":"Japan Focus","description":null,"products":[{"product_id":"dance-experiment","title":"Dance Experience - Eikoh Hosoe","description":"\u003cp\u003eHOSOE, Eikoh. \u003cbr\u003e\u003cem\u003eDance Experience. \u003cbr\u003e\u003c\/em\u003eA grey cardboard slipcase printed with black titles containing 2 glossy stapled illustrated brochures (240 x 250 mm) and colophon printed on yellow paper. Japanese and English text. Tokyo: Akio Nagasawa, 2012. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first reprint of Eikoh Hosoe's 1960 publication \u003cem\u003eAssociation of Dance Experience\u003c\/em\u003e, featuring the work of Japanese choreographer Tatsumi Hijikata, founder of the butoh style of dance performance. \u003cmeta charset=\"utf-8\"\u003eThe reprint is published together with a facsimile of \u003cem data-mce-fragment=\"1\"\u003eThe Dance Experience 2\u003c\/em\u003e (1961), which serves as an important document of Hijikata’s creative expression. The butoh form is known for its “distressing” nature, and is characterised by playful and grotesque imagery, taboo topics, and extreme or absurd environments. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHosoe was one of the first photographers to document the new art of butoh, which made its first appearance in 1959 in a piece performed by founders Tatsumi Hijikata and Kazuo Ohno, based on a play by Yukio Mishima. Both volumes feature numerous photographs of Hijikata, Ohno as well as Mishima. The photographs explore the limits of bodily expression. In addition to the photographs, the two booklets contain texts by writers such as Yukio Mishima and Tatsuhiko Shibusawa in Japanese, as well as contemporary adverts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":39975822196920,"sku":"","price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-64_d1e6ba0c-3f08-4c75-92ac-cc9f9b25dac2.jpg?v=1770826259"},{"product_id":"pochibukuro","title":"Pochibukuro. Tiny Envelope for Tipping.","description":"\u003cp\u003eYUMIOKA, Katsumi. \u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePochibukuro. Tiny Envelope for Tipping.\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003eSmall 8vo. 592pp. Colour illustrations throughout in printed boards. Japanese and English text. Tokyo: PIE Books, 2007.\u003cbr\u003eA fine copy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePochibukuro is a small paper bag or envelope used in Japan for politely giving tips, wrapping presents or gifting money to children at New Year. Pochibukuro designs represent an important part of Japanese printing culture that began in Meiji era Japan (1868-) and were originally printed with woodblocks. This packaging culture also advances the idea of collecting since the designs made the object too beautiful to be thrown away.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis book features over 700 designs, with a focus on traditional Japanese patterns and illustration. Examples of miniature Pochibukuro are included, named akatsuki-gata or ‘at dawn’. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":40145131274424,"sku":"","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-2_cefeb64a-d669-447f-9269-9087021a80ac.jpg?v=1784467730"},{"product_id":"collection-of-record-cover","title":"Meditation: Collection of Record Covers. - Tadanori Yokoo","description":"\u003cp\u003eTADANORI, Yokoo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMeditation: Collection of Record Covers.\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003e4to. 328pp. Colour illustrations throughout with a Japanese text. Paper wrappers with bright illustrated glossy dust jacket. Tokyo: Gakken, 1978.\u003cbr\u003eA fine copy albeit lacking the original obi. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStriking collection of artwork from over 50,000 record covers put together by graphic artist Tadanori Yokoo, including many of those he designed himself. The artworks exquisitely laid out by Yokoo span a range of surreal, occult and futuristic designs. Here the 'Meditation' of the title refers to Yokoo's intention of sequencing this popular imagery to tell the story of the creation myth.\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":43564268781786,"sku":"","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-6_abc27bff-a036-4e4d-8716-9cf9f1d7a72c.jpg?v=1784818764"},{"product_id":"shoe-shoe-paradise-kisa-takada","title":"Shoe, Shoe Paradise - Kisa Takada","description":"\u003cp\u003eTAKADA, Kisa. \u003cbr\u003e\u003cem\u003eShoe, Shoe Paradise.\u003c\/em\u003e \u003cbr\u003eFirst edition. Small oblong 4to. 120pp. Numerous colour and b\u0026amp;w plates. Yellow cloth boards in illustrated dust wrapper. Japanese text. Tokyo: Libroport, 1989.\u003cbr\u003e\u003cbr\u003eFun monograph showing the work of innovative shoe designer Kisa Takada between 1967 and 1990.\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":43942019432666,"sku":"","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-34_2bb7e826-8264-46ca-ab1d-12e60132568c.jpg?v=1744983230"},{"product_id":"flash-up","title":"Flash Up: Street Random Tokyo 1975-1979. - Seiji Kurata","description":"KURATA, Seiji. \u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlash Up: Street Random Tokyo 1975-1979.\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003eFirst edition. 4to. 190pp with b\u0026amp;w plates in printed wraps with obi. Text in Japanese. Tokyo: Byaku Shobo, 1980. \u003cbr data-mce-fragment=\"1\"\u003eWrapper a little shrunk at the top corner. A very good copy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeiji Kurata's first photo book and an incredible work in the history of Japanese photography. Here Kurata seeks out the dark side of Tokyo that unflinchingly documents yakuza, youth gangs, gambling dens and street people. The cover image sets the tone with a heavily tattooed yakuza brandishing a samurai sword.","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":43994530578650,"sku":"","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks_f0ea7411-3804-4ad0-adfa-279276715b10.jpg?v=1724422589"},{"product_id":"the-circus-seiichi-motohashi","title":"The Circus - Seiichi Motohashi.","description":"Motohashi, Seiichi. \u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Circus.\u003c\/em\u003e \u003cbr data-mce-fragment=\"1\"\u003eFirst edition. 4to. Unpaginated with b\u0026amp;w plates throughout. Illustrated card wrappers. Japanese text. Tokyo: Chikuma, 1980. \u003cbr data-mce-fragment=\"1\"\u003eWrappers somewhat foxed. A very good copy. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeiichi Motohashi's beautiful behind-the-scenes portraits documenting the lives of circus people and their animals in 1970s Japan.","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":44529341104346,"sku":"","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks_595f066d-694f-4bcb-9529-5953fdd31bfc.jpg?v=1707830614"},{"product_id":"time-in-air-time-in-paper-sachiko-morita","title":"Time in Air, Time in Paper - Sachiko Morita","description":"\u003cp\u003eSachiko Morita, an artist based in Angers, France, is profoundly honest about her own pleasures and curiosities that she finds in her daily life. To prove this, her gaze transitions from the soils of her garden to a 35mm film camera and eventually to watercolor paper.\u003c\/p\u003e\n\u003cp\u003eHer approach to photography is unique. She creates her own photographic paper by applying a photosensitive emulsion with a brush to Italian Fabriano watercolor paper. She then handles a classic enlarger to expose photographs taken in natural light with a 35mm film camera onto the photographic paper. Subsequently the emulsions are meticulously cleared off with a paintbrush and hot water, as if drawing shadows.\u003c\/p\u003e\n\u003cp\u003eAs a result, the drawings-like intuitive outlines of her subjects, which are characteristic of her work, can be perceived as both aspect: the photographic one that captures an instant in time, and the pictorial one that is completed over time while defining lines and shadows. With an eye on these two facets, in this title \"Time in Air, Time in Paper\" Morita attempts to recompose 51 works from over 20 years and capture the simplicity of the flow of time that exists in her own watercolor paper. Morita's works make us strongly aware of \"reality and the passing of time\". In addition, by poring over her distinctive flow of time, her works may stimulate us with the pleasure of viewing not only through visually but also through our senses.\u003c\/p\u003e\n\u003cp\u003eCairo Apartment, 2022\u003cbr\u003eHardcover, 72pp \u003cbr\u003e280 x 220mm \u003c\/p\u003e\n\u003c!----\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":45495090118874,"sku":"","price":48.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-8_9c5d5638-4c02-4b30-b954-caf3204af82c.jpg?v=1775650234"},{"product_id":"tokyo-ga","title":"Tokyo-Ga. 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This thoughtful little book with gorgeous tipped-in imagery, documents the journey of the film and also reads like a love letter to Tokyo. Featuring Werner Herzog, Chishu Ryu and Ozu’s wonderful camera assistant. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":45706388308186,"sku":"","price":145.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks_2104b0b0-7dfc-4130-beff-eff491ebe1f1.jpg?v=1774012530"},{"product_id":"made-in-japan","title":"Made in Japan: The Textiles of Jurgen Lehl","description":"\u003cp\u003eLEHL, Jurgen \u0026amp; Tadanori Yokoo. \u003cbr\u003e\u003cem\u003eMade in Japan: The Textiles of Jurgen Lehl. \u003c\/em\u003e\u003cbr\u003eFirst edition. Small square 4to. Printed wraps in colour illustrated dust jacket. B\u0026amp;w and colour plates throughout. Japanese texts. Tokyo: Parco, 1983. \u003c\/p\u003e\n\u003cp\u003eStunning visual book covering the innovative textiles designs of Jurgen Lehl. The publication is designed and edited by Tadanori Yokoo who responds by creating incredible rhythms and sequences with Lehl's patterns. \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":53491652428153,"sku":"","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-6_eb4788c3-ba15-4b10-917b-2384b4e11416.jpg?v=1769787797"},{"product_id":"keizo-kitajima","title":"Shashin Tokkyubin\/ Tokyo Photo Express - Keizo Kitajima","description":"\u003cp\u003eKITAJIMA, Keizo. \u003cbr\u003eShashin Tokkyubin\/ Tokyo Photo Express. \u003cbr\u003eFirst edition. Small 4to. Numerous full bleed colour and b\u0026amp;w plates. Yellow wraps with printed dust wrapper and obi. Poster bound into the front of the publication as issued. Tokyo: Parorusha, 1980. \u003cbr\u003eA very good copy. \u003cbr\u003e\u003cbr\u003eThe first collected issue of Kitajima’s famous project. Keizo Kitajima produced 12 monthly photocopied zines for the CAMP gallery under the name ‘photo mail tokyo’. This volume collects together all of these volumes plus striking colour work that was not included initially. A raw, close up stream of consciousness series of images captured in walking the backstreets of Tokyo. An incredible body of work, continually arresting in its confrontation and movement. \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":54862104199545,"sku":"","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-26_506a494d-69e7-4ccb-a362-f1a54338d8c7.jpg?v=1736423519"},{"product_id":"shinjuku-guntoden","title":"Shinjuku Guntoden 66\/73. - Katsumi Watanabe","description":"\u003cp\u003eWATANABE, Katsumi. \u003cbr\u003e\u003cem\u003eShinjuku Guntoden 66\/73. \u003c\/em\u003e\u003cbr\u003eFirst edition. Small 8vo. Printed wraps with numerous b\u0026amp;w full-bleed images. Japanese text. Tokyo: Baragaho Sea, 1973. \u003c\/p\u003e\n\u003cp\u003eA truly incredible work by Watanabe Katsumi, an itinerant portrait photographer who predominantly worked in the blue light district of Shinjuku, Tokyo during the 1960s and 70s. Watanabe set out each night to photograph whoever crossed his path and his portraits were essentially collaborative - the sitter would have to be happy with the result before handing over his set fee of 200 yen for three prints. The publication is an archive of images from this period printed with Watanabe's annotations that describe his subjects - prostitutes, gangsters, drag queens, night faces, gay men and party goers. Never a mere bystander, Watanabe was very much a part of the scene he was photographing, a mood that comes across in the intimacy of each photograph. This is a compelling portrait of a transient underground world that may otherwise have slipped by unrecorded. \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":55144977891705,"sku":"","price":1600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-11_c5d95667-8afd-48f3-b1b8-32f0403829fd.jpg?v=1745419839"},{"product_id":"comme-des-garcons-1975-1982","title":"Comme des Garcons 1975-1982.","description":"\u003cp\u003eKAWAKUBO, Rei. \u003cbr\u003e\u003cem\u003eComme des Garçons 1975-1982. \u003c\/em\u003e\u003cbr\u003eFirst edition. Softcover 12 x 12\". 204pp. White cotton paper wrappers. B\u0026amp;w and colour plates throughout. English and Japanese texts. Tokyo: Comme des Garçons, 1982. \u003c\/p\u003e\n\u003cp\u003eA scarce, incredibly beautiful Comme des Garçons lookbook documenting the early years of Rei Kawakubo's brand from the first campaign in 1975 up until 1982. Printed largely in black and white on textured paper, this is a crisp, atmospheric production. With photography by Daiho Yoshida, Bruce Weber, Deborah Turbeville, Sarah Moon and early Peter Lindbergh. On publication the book was only available privately for staff and clients, making it highly sought after. An essential fashion and styling reference. \u003cbr\u003e\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":55184382984569,"sku":"","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-3_097850ca-29a6-48fc-b794-f1a27101584e.jpg?v=1746619164"},{"product_id":"happy-victims-kyoichi-tsuzuki","title":"Happy Victims - Kyoichi Tsuzuki","description":"\u003cp\u003eThe premise of \u003cem\u003eHappy Victims\u003c\/em\u003e is still oddly subversive: a fashion magazine that actually engaged with the people who, very literally, bought into the universe and the publicity of the brands they worshipped. It’s not fashion as we’re usually asked to consume it, where ‘beautiful models live beautiful lives wearing beautiful clothes in beautiful homes’. Here we see a Buddhist monk with a Comme des Garçons shopping habit and an Alexander McQueen collector listening to neighbours through paper-thin walls, among others. Photographed at home in Tokyo, with their collections before them, these anonymous disciples joyously detail the ritual and the sacrifice of their brand-name obsessions. Kyoichi’s anti-heroes exist in parallel to the fashion universe of fame, fantasy, and glamour.\u003c\/p\u003e\n\u003cp\u003eWhile the cover and belly band have been completely reworked, the book’s interior maintains a simple, documental format: one happy victim per spread, Kyoichi’s photos supplemented by a short commentary on the individual and his or her daily schedule. Not typically members of the leisure class, the goths, Lolitas, and stringent Margiela fans must also go to work and find time to care for their clothes. Underlying this sense of relatability is the equal sense that Happy Victims would be hard to reproduce today, when ‘storytelling is manufactured and marketed for the masses’ on social media, and the fashion industry itself has become ‘an infinitely fragmented, diffuse cultural phenomenon’, having lost ground to both fast fashion and street-level trends.\u003c\/p\u003e\n\u003cp\u003eKyoichi is by turns tender and teasing with his happy victims, rejecting all received wisdom that puts them at the bottom of a mythical hierarchy of collecting and celebrates more ‘respected’ collectors of books, art, or music. They’re ‘magic’ to his eyes. And anyway, Isabella concludes, ‘In 2025, aren’t we all happy victims?’\u003cbr\u003e\u003cbr\u003eApartamento, 2025 \u003cbr\u003eHardcover, 184pp \u003cbr\u003e230 x 300mm \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":55577085968761,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-25_c0379e19-2224-4053-a1be-c7d784e443a3.jpg?v=1754062862"},{"product_id":"what-is-10-21","title":"What is 10.21?","description":"\u003cp\u003e\u003cbr\u003e\u003cem\u003eWhat is 10.21? \u003c\/em\u003e\u003cbr\u003eFirst edition. 8vo. Unpaginated with full-bleed b\u0026amp;w photographs throughout. Printed wraps. Japanese texts. Tokyo: 10.21 Publishing Committee, 1969. \u003c\/p\u003e\n\u003cp\u003eAn incredible photography publication documenting Anti Vietnam protests that took place across Japan on 21 October 1966. Almost all of the photographs contained in the publication were taken by students who were photographing without access to appropriate equipment or film, often shooting at night and in compromised conditions. The resulting imagery is frequently grainy and out-of-focus, but powerfully conveys the intensity and speed of the protest atmosphere. To avoid legal complications there are no credits and no faces are clearly shown. The book is almost an object of found photography, were it not for its strong political purpose. Created by students themselves this is a poignant social record of the anti war movement in Japan. \u003cbr\u003e\u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":55816561885561,"sku":null,"price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0488\/8029\/files\/Tenderbooks-3_8903a97e-c7fc-4dbf-9156-9cd57b741c24.jpg?v=1758021984"},{"product_id":"the-beauty-of-everyday-things-soetsu-yanagi","title":"The Beauty of Everyday Things - Soetsu Yanagi","description":"\u003cp\u003eThe daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.\u003c\/p\u003e\n\u003cp\u003eIn an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. 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Wabi-sabi, in its purest, most idealized form, is precisely about the delicate traces, the faint evidence, at the borders of nothingness . . . Author Leonard Koren was trained as an architect but never built anything-except an eccentric Japanese tea house-because he found large, permanent objects too philosophically vexing to design. Instead he created WET: The Magazine of Gourmet Bathing , one of the premier avant-garde magazines of the 1970s. Subsequently Koren has produced unusual books about design- and aesthetics-related subjects. 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